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Traveling wilburys vol 1 album cover
Traveling wilburys vol 1 album cover









traveling wilburys vol 1 album cover

The underlying reason for this is suggested by the album’s longest song, “Tweeter and the Monkey Man.” Unlike much of Dylan’s 1980s work, where him not trying all that hard was frequently a bad sign, there’s a playful vibe here that comes across as more confident than his more overtly serious songs from the period. Nevertheless, it was fairly clear which songs had Dylan as their primary writer – just as it was clear that these three were some of his best work in several years. 1 are credited to the group as a whole, and according to Lynne each of them reflects contributions from the various members. Fans and critics generally identify the 1989 album Oh, Mercy as the start of his long-term artistic revival, but there’s a case to be made that the rebound started a year earlier when he was moonlighting as “Lucky Wilbury.”Īll of the songs on The Traveling Wilburys Vol. Though he started off the 1980s strongly, his records had gotten increasingly dull as the decade progressed. Out of all the group, this was most obvious with Bob Dylan. That’s not to say it wasn’t well-crafted – no album with Jeff Lynne as a producer could be otherwise – but rather that it didn’t feel labored.Įven if some members’ contributions were more apparent vocally, the overriding sense was still that of a larger group working in tandem to bring each other’s strengths to the forefront. More specifically, they created an album that felt warmhearted, fun, and (despite the presence of multiple rock legends) effortless.

#Traveling wilburys vol 1 album cover series

The Traveling Wilburys remain a notable exception.Ĭoming together via a series of circumstances worthy of a classic screwball comedy, the team of Bob Dylan, George Harrison, Jeff Lynne, Roy Orbison, and Tom Petty quietly produced one of 1988’s best (and most popular) records. While the remarkably talented individuals who comprise these assemblages may bring their best efforts and intentions into the mix, they don’t necessarily bring out the best in each other. Special thanks to: Mo Ostin, Alan (Bugs) Wiedel, Olivia Arias, Tony Dimitriades, Barbara Orbison, Craig Fruin, Jeff Rosen, Jordan Harris, Jeff Ayeroff, Clyde Bakkemo, Phil Hatton, Eddie Veale, Derek Taylor, Gordon Murray, David Leland, Rachel Wickens, Dhani & Pete, Fred Gretsch, and Michael Palin.“Supergroups” are one of those ideas in popular music that tend to be better in concept than in practice. Sleeve Photgraphy by Neal Preston, Gered Mankowitz & Chris Smith Original Art Direction by David Costa for Wherefore Art? Lucky Studios Dave Stewart Studios FPSHOT

traveling wilburys vol 1 album cover

Tom Toms on “Handle With Care”: Ian Wallace Guitars, Lead & Backing Vocals: Nelson Wilbury Jnr.Īcoustic Guitar, Lead & Backing Vocals: Lefty Wilbury Keyboards, Guitars, Lead & Backing Vocals: Otis WilburyĪcoustic Guitar, Lead & Backing Vocals: Charlie T. The reissue, remastered under the supervision of Jeff Lynne, now features the two previously unreleased and newly remixed bonus tracks ‘Maxine’ and ‘Like A Ship’.Īlbum is available as part of The Traveling Wilburys Collection, available in standard CD set, Deluxe Limited Edition, and 3-LP Set.Īcoustic Guitar, Lead & Backing Vocals: Lucky Wilbury

traveling wilburys vol 1 album cover

The album won the GRAMMY for Best Rock Performance By A Duo Or Group With Vocals, and introduced the Wilburys’ classics ‘Handle With Care’, ‘End Of The Line’ and ‘Heading For The Light’, among others. This expanded & remastered edition of the Wilburys’ GRAMMY-winning 1988 debut album, Traveling Wilburys Volume 1, is now available after being out-of-print for over a decade. …one of the few rock supergroups actually deserving to be called either super or a group.” – Rolling Stone Magazine. Then again, it’s also the only record of its kind ever made. “This is the best record of its kind ever made.











Traveling wilburys vol 1 album cover